Through food, the film hints on Adele’s sexuality. Eating and tasting are often metaphors to sex, both relate human desires and arises physical pleasure, one has own preference over both eating and sex. In the following two food scenes from Blue is the Warmest Colour, illustrating the embarrassing performance of bisexuality. Adele’s bisexual identity is invisible, even in the eyes of her same-sex partner. Emma assumed Adele is a lesbian who is only interested in woman, but the fact is that Adele is a bisexual. In the film, when Emma discovers Adele sleeps with a man in the film, Emma outrageously accuses Adele of being a liar, not only because of adultery, but also Adele’s dishonesty in her sexuality. If we see bisexuality through the lens of Judith Butler’s Gender Performativity, the gender binary is not dissolved, bisexuals are either invisible or promiscuous. However, engaging in sexual relationships with man and woman simultaneously is morally not acceptable in a monogamy society. Except if a person engages in a sexual relationship with a man and woman at the same time, one can perform bisexuality in this exceptional case. Not only that bisexual is invisible in theory, the film Blue is the Warmest Colour illustrated that, bisexual is also invisible both in heterosexual and homosexual community.Īn example to illustrate the invisibility of bisexuals behaviourally - when a bisexual female has sex with another female, one can only tell it is a lesbian relationship, but one cannot tell she is a bisexual. Bisexuality is invisible because it neither subverts nor reinforces the binary system, lacks a regulative discourse and thus cannot be performed / read. There exists no category of “masculine and feminine simultaneously” that is not a displacement in the mainstream binary gender system, and therefore bisexuality is unable to perform itself. It is subversive because it takes on a constructivist view on gender, while the mainstream heterosexual society views gender as an essential fact and binary gender differences are ontological. Butler’s theory suggests there exists incoherence in sex, gender and sexual desire.
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While such performance is involuntary, how it should be read is to depend on a regulative discourse (Foucault, 1978), a concept borrowed from Michel Foucault, which defines the characteristics of sex, gender and sexuality accepted by the society. Gender is performative, gender can only be constructed through one’s performance and behaviour repeatedly to be considered “real” (Callis, 2009, p.229). Biological male, masculinity and heterosexual desire are seen as coherence in the mainstream gender binary and heterosexual society coherence is seen among biological female, femininity and sexual desire towards masculinity. In Judith Butler’s theory of Performativity – Gender Trouble (1990), sex, gender and sexuality are seen separate.
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Such invisibility of bisexuality is also seen in Judith Butler’s Performativity of Gender in theory.īisexuality is invisible because it cannot be performed Through citing scenes from Blue is the Warmest Colour, this argument will be illustrated. The major argument of the article is that bisexuality is non-performative in the gender binary, and therefore invisible in daily lives.
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Although the lesbian relationship between Adele and Emma is the major plot of the film, the sexuality of Adele is in fact left ambiguous - she never stated her sexuality explicitly while denied a lesbian label for several times, despite that Adele engages in sexual relationships with both male and female, audience might recognize she is a bisexual from her performance. One might describe Blue is the Warmest Colour is a bisexual film. The protagonist, Adele (starred by Adèle Exarchopoulos) who is a literature student in her teenage, engages in a romantic and sexual relationship with the deuteragonist, Emma, who is a college student painter Emma (starred by Léa Seydoux). It is a French romantic film co-written, co-produced, and directed by Abdellatif Kechiche.
#Blue is the warmest colour youtube download
Download Invisibility of Bisexuals – The Film Blue is the Warmest Colourīlue is the Warmest Colour (2013) (French: La Vie d'Adèle), adapted from a novel written by Julie Maroh of the same name.